Reexamining the Established: The Case of Triumph of the Will

Milica Czerny Urban

doi:10.2298/FID251011007C

Autori

Milica Czerny Urban Senior Teaching Assistant, Academy of Applied Arts, University of Rijeka

DOI:

https://doi.org/10.2298/FID251011007C

Ključne reči:

Trijumf volje, Leni Rifenštal, nemoralna umetnička dela, etička kritika umetnosti, debata o interakciji vrednosti, propagandna umetnost, istorijski kontekst, umetnička namera, estetska i moralna vrednost

Apstrakt

Ovaj rad kritički preispituje film Trijumf volje i njegovu široko prihvaćenu ulogu paradigmskog primera nemoralne umetnosti. Iako se često navodi u raspravama o debati o interakcionoj vrednosti i etičkoj kritici umetnosti kao nemoralno umetničko delo, rad tvrdi da složenost filma podriva njegovu podobnost kao jasnog i nedvosmislenog primera nemoralnosti u umetnosti. Razmatrajući njegovu nemoralnost iz različitih perspektiva i oblika nemoralnosti (sadržaj, produkcija, autorstvo), rad ističe ambivalentnost filma, naročito kada se tumači kroz različite vremenske i žanrovske okvire. Ovaj tekst ispituje pojmove sadržaja, umetničkih namera i pouzdanosti, dovodeći u pitanje samu debatu o nemoralnosti filma kroz sučeljavanje propagande, dokumentarnog pristupa i istorijskog konteksta. Rad nudi opsežnu analizu umetničkih postupaka, estetskih dostignuća, žanrovskih odrednica i istorijskih podataka, naglašavajući potrebu da se razume složenost ovog slučaja. Ovakva detaljna analiza pruža novo čitanje filma, ukazujući na to da njegova nemoralnost u velikoj meri zavisi od pozadinskog znanja, istorijske distance i perspektive publike. Shodno tome, rad zaključuje da, iako je Trijumf volje moralno i politički problematičan, obimni zahtevi istraživanja i interpretacije čine njegovu upotrebu kao temeljni primer u raspravama o nemoralnoj umetnosti problematičnom i pozivaju na veću kritičku nijansiranost.

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