Vol. 37 No. 1 (2026): Filozofija i društvo / Philosophy and Society

View Vol. 37 No. 1 (2026): Filozofija i društvo / Philosophy and Society

ART, MEDIA, AND DEMOCRATIC IMAGINARIES IN
THE 2024–2025 PROTESTS IN SERBIA

STUDIES AND ARTICLES

REVIEWS

FROM THE ACTIVITIES OF THE INSTITUTE

Published: 31.03.2026

Full Issue

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STUDIES AND ARTICLES

Foucault and the Prisons Information Group’s Counter-subjectivation

Shai Gortler

173–194
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Capabilitarian Well-Being and the Limits of Contextualism: Against Pluralism and Proceduralism

Ana Gavran Miloš

195–216
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The Right of Rebellion in the Digital Communication Age

Gabriele Giacomini

217–232
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Is the European Union in Crisis? The Relationship between EU Citizenship and Direct Democracy and Its Impact on Democratic Legitimacy

Gábor Kurunczi

233–248
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REVIEWS

Performing Power, Marcus Morgan, Polity, 2025

Milica Resanović

251–254
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FROM THE ACTIVITIES OF THE INSTITUTE

Pregled tribina i konferencija u Institutu za filozofiju i društvenu teoriju za 2025. godinu

Maja Pupovac, Tijana Uzelac

255–268

ART, MEDIA, AND DEMOCRATIC IMAGINARIES IN THE 2024–2025 PROTESTS IN SERBIA

Editors' Introduction

Jelena Guga, Čedomir Markov

3–7
The Use of Arts and the Performativity of Architecture within the Culture of Resistance – The Case of Central Station in Novi Sad

Sonja Jankov

9–30
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Our Art Is Our Struggle! Our Works, Our Voice! Transformative Art Practices in the Current Student Protests: The Case of the ‘stUUdenti’ Exhibitions

Milica Pekić

31–56
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Being Moved and Moving, Non-Metaphorically: The Case of the Protest Movement in Serbia

Nevena Delić, Petra Parčetić

57–76
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Soundtrack of Dissent: Sonic Practices in the 2024/25 Serbian Protests

Nikola Vasilijević

77–98
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Mirrors and Messaging: The Role of Media in Serbia’s Protests, 2023–2025

Emma E.S. Brandt

99–120
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Digital Authoritarianism and the Politics of Noise: Co-optation and Narrative Flooding in Serbian Protests

Ana Jovanovic-Harrington

121–142
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New Face of Memes in Student-led Protests in Serbia and their Ethical Implications

Krisztina Rácz, Mirjana Nećak Gavrilović, Andrej Ševo

143–170
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