THE AMBIVALENCE OF TRANSPARENCY: AESTHETIC AND POLITICAL CONSIDERATIONS

Apstrakt

This article examines the concept of transparency and its interconnected counterparts as they emerge across aesthetic, political, and ethical domains. In contemporary democratic discourse, transparency is celebrated as a guarantor of openness, accountability, and truth. Yet its implementation often produces the opposite effects: intensified surveillance, the saturation of digital culture, and the rise of suspicion and conspiracy across diverse global contexts.

The analysis situates the concept within the dialogue between aesthetics and politics, from classical philosophy to the modern theories of Adorno and Habermas, highlighting the ethical tension between truth and concealment. It then interrogates transparency as both a political ideology and a moral imperative, showing how demands for total visibility have masked new forms of domination. Engaging Foucault’s account of disciplinary visibility and Lacan’s theory of the mirror stage, the article argues that the pursuit of complete openness is structurally unattainable and potentially pathological, manifesting itself in the shift toward the external image as the bearer of identity. In this sense, transparency operates as a contemporary distribution of the sensible – a regime that organizes both perception and power.

By tracing the aesthetic experience of transparency in contemporary culture – where ideals of light and openness coexist with exposure and alienation – the article reframes transparency through Agamben’s concepts of bare life and inoperativity, revealing their implications for law, human potentiality, and critiques of political authority in surveillance capitalism. Ultimately, transparency is reconsidered as a contingent and contested value rather than a flawless democratic ideal, emphasizing its paradoxical role in shaping subjectivity and public life today.