What Is an Architectural Concept? The “Concept” of Deleuze and “Project” of Eisenman

Snežana Vesnić

doi:10.2298/FID1704122V

Autori

Snežana Vesnić Faculty of Architecture, University of Belgrade

DOI:

https://doi.org/10.2298/FID1704122V

Ključne reči:

notion, concept, conception, architecture, philosophy

Apstrakt

Two great theories – one in philosophy, one in architecture – emerge nearly simultaneously in the twentieth century: Gilles Deleuze’s understanding of the “concept,” that is, defining philosophy as an activity that produces concepts, and Peter Eisenman’s idea of the “project” as a platform, “position,” or “theory” of an architect. My intention is to suggest and problematize the idea of the concept as “capacity” or “potentiality” implying the production of a multitude of “concepts” or varying “conceptions.” Deleuze’s great significance for architecture of this century allowed for the construction of the “concept” as “author’s potential,” the source of activity and creative architectural acts. An architectural concept, determined in the course of the text, and thanks to which architectural terminology is redefined, could potentially be quite useful in philosophy and theory of the subject.

Reference

Agamben, Giorgio (1999), Potentialities: Collected Essays in Philosophy, Stanford, California: Stanford University Press.
Cassin, Barbara, (ed.) (2014), Dictionary of Untranslatables: A Philosophical Lexicon. Princeton University Press.
Wolff, Christian (2011), Logica Tedesca. Testo tedesco a fronte, Milan: Bompiani.
Deleuze, Gilles and Félix Guattari (1991), Qu’est- ce que la philosophie, Paris: Les éditions de minuit.
Deleuze, Gilles and Felix Guattari (1994a), What Is Philosophy?, New York: Columbia University Press.
Deleuze, Gilles (1994b), Difference and Repetition, New York: Columbia University Press.
Delez, Žil (2001), Bergsonizam, Narodna knjiga – Alfa.
Derrida, Jacques (1978), Edmund Husserl’s Origin of Geometry: An Introduction, University of Nebraska Press Lincoln and London.
Djokić, Vladan & Petar Bojanić, (eds.) (2017), Peter Eisenman| IN DIALOGUE WITH ARCHITECTS AND PHILOSOPHERS, Mimesis International. Eisenman, Peter (1993), “Folding in time, The Singularity of Rebstock,” in Folding in Architecture, Greg Lynn, ed., London: Academy Editions. Eisenman, Peter (2006), Feints: The Diagram,” in Peter Eisenman: Feints, Silvio Cassarà (ed.), Milano: Skira: 203-206. Eisenman, Peter (2010), “Diagram:An Original Scene of Writting,” in The Diagrams f Architecture, Mark Garsia ed., London: Chichester Wiley. Eisenman, Peter (2004), Inside Out Selected Writings 1963-1988, New Haven and London, Yale University Press. Eisenman, Peter, “Project or Practice?” Architecture Fall 2011 Lecture Series – September 30, 2011 at Grant Auditorium, (internet) aviable at: https://www. youtube.com/watch?v=TnyJRYyuhHU (last accessed 7 Jun, 2017). Garcia, Mark (ed.) (2010) “Introduction: Histories and Thories of the Diagrams of Architecture” in The Diagrams of Archtecture, London: Chochester Willey. Grof, Ruth, (ed.) (2014) Subjеct and Object, Frankfurt School Writings on Epistemology, Ontology and Method, London: Bloomsbury. Le Corbusier (1925), Vers Une Architecture, Paris: Les Éditions G. Crès Et Ci. Le Corbusier (1931), Towards a New Architecture, New York: Dover Publications. Lichtenstein, Jacqueline, “Disegno“, in: Cassin, B. (ed.), Dictionary of Untranslatables: A Philosophical Lexicon, 224-226. Shaftesbury (1712) A letter concerning the art, or science of design, Written from Italy, On the occafion of th Judgement of Hercules, to My Lord. Vidler, Antony (2006), “What is a Diagram anyway?” in Peter Eisenman: Feints, Silvio Cassarà (ed.), Milano: Skira: 19-29.